Ghiberti, adam, eve,

Our point of view—that art must be seen in terms of its patronage and the specific times and circumstances in which it was created—is hardly new to art history. Many specialized studies and a number of more geographically and chronologically limited books have used such an approach. This volume, however, provides a comprehensive, fully illustrated, pan-Italian consideration of art from the thirteenth through the sixteenth century.

1. 
   

   A Closer Look at a Florentine Treasure, 

   
   

   Ghiberti's Glorious ...

   
   

   
   

   oneminutebookreviews.wordpress.com/

   Nov 5, 2007 by 1minutebookreviewswordpresscom

   You may be able to get a sense of this if you enlarge 

   the book cover at right, which shows a detail from 

   the Adam and Eve panel. At the bottom center 

   you see God (looking like many artistic 

   representations of Jesus) creating ...
2. 
   

   Gold | Slog | The Stranger |

   
   

    Seattle's Only Newspaper

   
   

   
   

   slog.thestranger.com/

   Jan 30, 2008 by JEN GRAVES

   In keeping with medieval style, Ghiberti portrayed 

   several scenes in a single panel: 

   the creation of Eve from Adam's rib 

   (see front and center above), 

   Adamand Eve with the serpent (back left), 

   the expulsion (front right).

   More results from The Stranger, 

   
   

   
   

   
   

   Seattle's Only Newspaper - References 

We have broadened our consideration of the diverse traditions of cities throughout Italy, rather than focusing primarily on Florence (which has too often been used to make other centers, even well-recognized ones such as Venice and Rome, Sign up for a free 30 day trial of Sprout Social.seem like cultural and artistic satellites of the Tuscan capital). 

Expanded geographic and stylistic parameters provide a richer picture of art produced in (renaissance Italy, including works of Florentine art that have previously been accorded marginal or problematic status. 
We have also rejected rigid separation of the arts by media, preferring to discuss painting, sculpture, and architecture as complementary arts, Fix Your Creditrecognizing that most artists worked in a variety of forms and that they and their patrons regularly thought in terms of ensembles, not isolated masterpieces.google preview